"Night Intersection" by Josh Crow

"Night Intersection" by Josh Crow

from $25.00

January 18, 2022.

Night Intersection is a limited edition of 100 prints by Josh Crow. The print measures 12 inches wide by 9 inches tall and the artwork measures 11 inches wide by 8.25 inches tall. The archival prints were created by Tiny Showcase and ship with a certificate of authenticity. The artwork has been printed on a heavy 290gsm natural white paper.

The original medium is oil paint on canvas.

Available hand-framed in maple with archival mat and glass by Vermont's Joel Taplin of Taplin MFG. Framed artwork is archivally matted and hung with UV-protective glass. The hand-made frames are made from locally-milled wood with inlaid splines in each corner for added strength. Please allow three weeks for the completion of your custom, hand-made frame.

Also available with custom-cut, museum matting for standard size frames. Please allow an extra 3 business days for processing.

Other print releases by Josh available: Succulents (2016).

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Josh has chosen to support Strong Towns. 15% of our profits from print sales of Night Intersection will be donated.

“Strong Towns supports thousands of people across the United States and Canada who are advocating for a radically new way of thinking about the way we build our world. We do this in four key ways: Strong Towns Media, Strong Towns Academy, Strong Towns Action Lab, and Strong Towns Events .”

Meet Josh Crow

I am from central Missouri and a graduate of Rhode Island School of Design and Indiana University. Based out of St. Louis, I do commercial painting as a day job that is actually at night. My personal work is mostly in oil and watercolor. My paintings run the gamut from bright and assertive to dark and reserved. I paint people, places, and things that resonate with me, but a large part of the significance of the paintings to me is how they are painted.

This night street scene is a recurring subject for me. I grew up on a remote hilltop in rural Missouri with virtually no light pollution. As I grew up I experienced other places such as the one in this painting that most would view as unremarkable. But to me they were strange amalgams of natural and man-made elements lit in almost theatrical street light and building glow. Even though the suburban and exurbia environment is normal and very much American at this point, it is a post-war experiment that many people are now realizing is not sustainable for their towns and cities.